Film Programming & Curation | Selected Projects

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Selected Writings

The 10-night stand between a wasp and a ffig | CORRESPONDENCE

Interview with Mark Chua and Lam Li Shuen: Looking at the human animal, but with some courage | Asian Movie Pulse

Film Review: Me and My Country Pornography (2022) by Lin Htet Aung | Asian Movie Pulse

Film Review: Summer Vacation 1999 (1988) by Shusuke Kaneko | Asian Movie Pulse

Film Review: Factory Boss (2014) by Zhang Wei | Asian Movie Pulse

Seeing, Without Existing | Perspectives Film Festival

Film Analysis: Big Times for the Crazy Bumpkins (1976) & Crazy Bumpkins in Singapore (1976) | Asian Movie Pulse

Asian Cinema In Response to Barbie (2023): The Leftovers of Being ‘Americanized’ | Asian Movie Pulse

Film Review: Every Floor Looks the Same (2022) by Gladys Ng | Asian Movie Pulse

Interview With Gladys Ng: My Characters Tend to Be at the Tip of Breaking Point | Asian Movie Pulse

Film Review: Natasha (2022) by Galilee Ma | Asian Movie Pulse

Asian Cinema Digest #47 - #54 | Asian Film Archive

From Qi to Chi: Beginning Thoughts on Bodily Mistranslations of Wuxia | Exposure Vol.1

Film Review: Case of the Disjointed Murder (1977) by Chusei Sone | Asian Movie Pulse

Gardening a Dystopian City: Curatorial Notes | Asian Film Archive

Film Review: The Crazy Bumpkins (1974) & Return of the Crazy Bumpkins (1975) | Asian Movie Pulse